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<channel>
	<title>Lizzie Connor</title>
	<link>https://lizzieconnor.co.uk</link>
	<description>Lizzie Connor</description>
	<pubDate>Wed, 29 Jan 2020 23:50:19 +0000</pubDate>
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		<title>On the Periphery: Thesis  </title>
				
		<link>https://lizzieconnor.co.uk/On-the-Periphery-Thesis</link>

		<pubDate>Wed, 29 Jan 2020 23:42:33 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/On-the-Periphery-Thesis</guid>

		<description>
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	On the Periphery: Thesis&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Design Management, UAL&#38;nbsp;
Contextual &#38;amp; Theoretical Studies&#38;nbsp;
(2020)

︎ research ︎ writing ︎ visualisation ︎ future thinking ︎ peripheral ︎ globalisation

Design Management at London College of Communication (UAL) is the study of design, problem-solving, business and leadership, global cultures, innovation and sustainability. A large part of this course is applying design thinking to live briefs and working in collaborative, multidisciplinary teams. 

Thesis title: ‘On the periphery: how have London’s edgeland ‘post’-industrial areas along the Thames Estuary been shaped by globalisation and what does the future hold for this region?’

This thesis was inspired by Rachel Lichtenstein’s book ‘Estuary’, Marion Shoard’s concept of ‘edgelands’ and the South Essex estuary area, which I have spent most of my life living in. I visualised this thesis as a shipping container as this is a symbol of globalisation and a common sight along the estuary.&#38;nbsp;

On the Periphery: Thesis (PDF)


	

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		<title>Ayla: Designing a Feminist Chatbot </title>
				
		<link>https://lizzieconnor.co.uk/Ayla-Designing-a-Feminist-Chatbot</link>

		<pubDate>Wed, 29 Jan 2020 23:47:36 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/Ayla-Designing-a-Feminist-Chatbot</guid>

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Chatbot Presentation - Ayla (PDF)

	Ayla: Designing a Feminist Chatbot &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Creative Computing Institute, UAL
(2020)

︎ feminist design processes ︎ conversation design ︎ coding ︎ chatbot ︎ online harassment ︎ visual identity
The Creative Computing Institute (CCI) is a part of UAL that combines creativity and technology. Topics include machine learning and AI alongside critical thinking about how society is being shaped and defined through human computer interaction and social platforms. This week long intensive course was delivered by the Feminist Internet and held at Camberwell College of Arts in the CCI department.&#38;nbsp;

This short course gave participants an introduction to feminist design processes and how they can help tackle social inequalities. We learnt the basics of conversation design and collaborative coding to produce a chatbot that addresses online harassment. We had multiple expert lecturers delivering the subject matter and technical processes. The final day involved presenting our finalised chatbot to the group and receiving feedback.&#38;nbsp;

Ayla was created in collaboration with Ipek&#38;nbsp;
Role:I produced a daily ‘what I learnt’ visualisation, created the visual identity, logo and final presentation and coded the chatbot using the platform Glitch.&#38;nbsp;




	
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</description>
		
	</item>
		
		
	<item>
		<title>Pluna Plant: Modual Maker</title>
				
		<link>https://lizzieconnor.co.uk/Pluna-Plant-Modual-Maker</link>

		<pubDate>Tue, 26 Nov 2019 22:41:07 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/Pluna-Plant-Modual-Maker</guid>

		<description>
	&#60;img width="3024" height="3780" width_o="3024" height_o="3780" data-src="https://freight.cargo.site/t/original/i/ccae5f2bb9ed0d4b76b9b69e855c8e14edbbd74ed2bde297e0aed4f1569ffe3e/4A10E381-1213-4A17-BE1B-82875561237D.jpg" data-mid="59638500" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/ccae5f2bb9ed0d4b76b9b69e855c8e14edbbd74ed2bde297e0aed4f1569ffe3e/4A10E381-1213-4A17-BE1B-82875561237D.jpg" /&#62;

&#38;nbsp; &#38;nbsp;Video of Pluna Plant moving

&#38;nbsp; &#38;nbsp;Video of an earlier prototype&#38;nbsp;
	Pluna Plant&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Modual: Maker, UAL&#38;nbsp;
(2019)

︎ prototyping ︎ collaboration ︎ communication ︎ presentation ︎ design process ︎ brainstorming
Modual is an interdisciplinary creative workshop that teaches collaboration and digital skills to UAL students. This two week workshop was hosted at the Design Museum and partnered with Other Today.&#38;nbsp;

In collaboration with:&#38;nbsp;
Hannah,&#38;nbsp;Conor, Jacquline, Liz &#38;amp; Ling&#38;nbsp;

Role:
My main role was testing and building the physical prototype which included adapting the original body of the robot in order to add the additional plant and holder. Various prototypes were made from paper/card before laser cutting the acrylic frame and assembling.&#38;nbsp;

This workshop culminated in a presentation to industry experts where we showed a poster, short film and had a project stand displaying our prototype. The workshop followed the Design Council’s ‘Double Diamond’ design process - discover, define, develop and deliver.&#38;nbsp;



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Modual: Maker from modualworkshop on Vimeo.





	
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&#60;img width="1838" height="1028" width_o="1838" height_o="1028" data-src="https://freight.cargo.site/t/original/i/36c9318cbd92663d571c5802f4a64f9d1c189e4310713dfbc216cc7a945d2f8d/Screen-Shot-2020-05-22-at-19.23.46.png" data-mid="72049642" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/36c9318cbd92663d571c5802f4a64f9d1c189e4310713dfbc216cc7a945d2f8d/Screen-Shot-2020-05-22-at-19.23.46.png" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>The Welcome Space: Final Major Project</title>
				
		<link>https://lizzieconnor.co.uk/The-Welcome-Space-Final-Major-Project</link>

		<pubDate>Wed, 29 Jan 2020 23:50:19 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/The-Welcome-Space-Final-Major-Project</guid>

		<description>
	&#60;img width="3661" height="2598" width_o="3661" height_o="2598" data-src="https://freight.cargo.site/t/original/i/63f8001f2e35d5dd9de78a141449761366d24bafc3b9786b7f234233a5f78791/Process-book-cover.jpg" data-mid="72686473" border="0"  src="https://freight.cargo.site/w/1000/i/63f8001f2e35d5dd9de78a141449761366d24bafc3b9786b7f234233a5f78791/Process-book-cover.jpg" /&#62;

	The Welcome Space: Final Major Project &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Design Management, UAL
Contextual &#38;amp; Theoretical Studies
(2020)

︎ public spaces ︎ libraries ︎ conversations&#38;nbsp;︎ resources&#38;nbsp;︎ design process&#38;nbsp;︎research&#38;nbsp;︎ prototyping
Design Management at London College of Communication (UAL) is the study of design, problem-solving, business and leadership, global cultures, innovation and sustainability. A large part of this course is applying design thinking to live briefs and working in collaborative, multidisciplinary teams. 
FMP question: ‘How might we create ways and spaces in public libraries to support, share and create conversations and relationships between people in the local community?’


	

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&#60;img width="3864" height="2768" width_o="3864" height_o="2768" data-src="https://freight.cargo.site/t/original/i/0f6018353f52674369edb7f84622e861e1c88155661b46f7535519d0be0139b5/cook-book-design-.png" data-mid="72687523" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/0f6018353f52674369edb7f84622e861e1c88155661b46f7535519d0be0139b5/cook-book-design-.png" /&#62;
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&#60;img width="3488" height="2464" width_o="3488" height_o="2464" data-src="https://freight.cargo.site/t/original/i/ad6c38b68b2d6aa0dd2c94de6b14c41bc24430920e926fb8b4a9a1b888fdb18c/library-layout.jpg" data-mid="72687139" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/ad6c38b68b2d6aa0dd2c94de6b14c41bc24430920e926fb8b4a9a1b888fdb18c/library-layout.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Design with Data &#38; Interactive Machine Learning</title>
				
		<link>https://lizzieconnor.co.uk/Design-with-Data-Interactive-Machine-Learning</link>

		<pubDate>Tue, 26 Nov 2019 22:41:09 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/Design-with-Data-Interactive-Machine-Learning</guid>

		<description>
	
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a9eac7103b7347aac549c16c58c757a51732e02ba9ba01f092978998a9619217/IMG_9331.JPG" data-mid="59641725" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a9eac7103b7347aac549c16c58c757a51732e02ba9ba01f092978998a9619217/IMG_9331.JPG" /&#62;

Video clip of using a sensor&#38;nbsp;
	Design with Data &#38;amp; Interactive Machine Learning&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Creative Computing Institute, UAL
(2019)

︎ AI ︎ machine learning ︎ design sprint&#38;nbsp;︎ prototyping&#38;nbsp;︎ story-boarding&#38;nbsp;︎ idea development&#38;nbsp;︎ collaboration

The Creative Computing Institute (CCI) is a part of UAL that combines creativity and technology. Topics include machine learning and AI alongside critical thinking about how society is being shaped and defined through human computer interaction and social platforms. This week long intensive course was delivered by Francisco Bernardo and was held at London College of Communication in the Creative Technology Lab.&#38;nbsp;

This short course aimed to introduce participants to creative AI and Machine Learning (ML) for design. We built simple ML pipelines and used different sensors such as Wekinator and also experimented with Arduino and BITalino. The week culminated with a two day Design Sprint testing ideas and prototyping them in teams. This followed the process of map, sketch, decide, story-board, prototype and test. This process is used in many start-ups, innovation projects and app/web developments.

Role:
During the Design Sprint I took on the role of story-boarding and contributed to brainstorming, idea development and facilitating group discussions.&#38;nbsp;



&#60;img width="2538" height="1084" width_o="2538" height_o="1084" data-src="https://freight.cargo.site/t/original/i/3ad5b1d356d4aede2effc3a77f18f1d97569556c657f96bbfcdfcd710e41d261/Screen-Shot-2020-01-06-at-17.18.44.png" data-mid="59773115" border="0"  src="https://freight.cargo.site/w/1000/i/3ad5b1d356d4aede2effc3a77f18f1d97569556c657f96bbfcdfcd710e41d261/Screen-Shot-2020-01-06-at-17.18.44.png" /&#62;
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&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/2aa026c093e8044623792e9954aa3505db904b64e3af307c72ce710ea4e44615/94553164_1063612400688556_1795645910001123328_n.jpg" data-mid="72057524" border="0"  src="https://freight.cargo.site/w/1000/i/2aa026c093e8044623792e9954aa3505db904b64e3af307c72ce710ea4e44615/94553164_1063612400688556_1795645910001123328_n.jpg" /&#62;
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&#60;img width="2546" height="1082" width_o="2546" height_o="1082" data-src="https://freight.cargo.site/t/original/i/1e66abf3431783adc03885549f0975cbb2bd832c4ed3f87a539d04d105ead46d/Screen-Shot-2020-01-06-at-17.15.58.png" data-mid="59773113" border="0"  src="https://freight.cargo.site/w/1000/i/1e66abf3431783adc03885549f0975cbb2bd832c4ed3f87a539d04d105ead46d/Screen-Shot-2020-01-06-at-17.15.58.png" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/537289f61094dc9e5648723631077b69586ad18b20c5193d9edc5c4519357cbc/94562342_293722744973666_9033249081794756608_n.jpg" data-mid="72056781" border="0"  src="https://freight.cargo.site/w/1000/i/537289f61094dc9e5648723631077b69586ad18b20c5193d9edc5c4519357cbc/94562342_293722744973666_9033249081794756608_n.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d69ab7a1cacef7eb7c7a9162e49a6a07de590fced6ca8199f54ae40243c986ea/IMG_9343.JPG" data-mid="59773168" border="0"  src="https://freight.cargo.site/w/1000/i/d69ab7a1cacef7eb7c7a9162e49a6a07de590fced6ca8199f54ae40243c986ea/IMG_9343.JPG" /&#62;
&#60;img width="2560" height="1096" width_o="2560" height_o="1096" data-src="https://freight.cargo.site/t/original/i/7abd9a6b5ed3dfe6e726ac47730f01a1a783292411e5c084721841f9cf57696e/Screen-Shot-2020-01-06-at-17.16.23.png" data-mid="59773114" border="0"  src="https://freight.cargo.site/w/1000/i/7abd9a6b5ed3dfe6e726ac47730f01a1a783292411e5c084721841f9cf57696e/Screen-Shot-2020-01-06-at-17.16.23.png" /&#62;
</description>
		
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	<item>
		<title>Renewal: Foundation Exhibition</title>
				
		<link>https://lizzieconnor.co.uk/Renewal-Foundation-Exhibition</link>

		<pubDate>Tue, 26 Nov 2019 22:41:08 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/Renewal-Foundation-Exhibition</guid>

		<description>
	&#60;img width="1000" height="705" width_o="1000" height_o="705" data-src="https://freight.cargo.site/t/original/i/6f2d90716170cc90f61c3971197abc8f3d953d26d0a27b02adacaafc441f2163/Revival-Detail.jpg" data-mid="59773428" border="0"  src="https://freight.cargo.site/w/1000/i/6f2d90716170cc90f61c3971197abc8f3d953d26d0a27b02adacaafc441f2163/Revival-Detail.jpg" /&#62;
 
	Renewal: Foundation Exhibition&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
Fine Art Foundation, Central Saint Martins, UAL
(2016)
During the Foundation year at CSM students rotate around the different disciplines and then specialise in a discipline and work towards a final exhibition. This project explored revival and renewal and was part of the Fine Art show. These pieces of glass were collected from the banks of the River Thames in Essex and were cast in resin.&#38;nbsp;
Process:&#38;nbsp;
This final project included a lot of experimentation with materials and techniques including resin casting, soldering and polishing.&#38;nbsp;


	

	
	
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/91dfceefb67c03e5c6b9f3bda6fcbca24560540d66ad9905b63f80d92223e5d7/IMG_5504.JPG" data-mid="59640088" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/91dfceefb67c03e5c6b9f3bda6fcbca24560540d66ad9905b63f80d92223e5d7/IMG_5504.JPG" /&#62;
&#60;img width="1500" height="1056" width_o="1500" height_o="1056" data-src="https://freight.cargo.site/t/original/i/735e8da5ea57a041582f4c83e21e517ce8b1831286ca87c3b51a0d679bd506cb/Screen-Shot-2017-01-26-at-12.40.07.png" data-mid="72064025" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/735e8da5ea57a041582f4c83e21e517ce8b1831286ca87c3b51a0d679bd506cb/Screen-Shot-2017-01-26-at-12.40.07.png" /&#62;
&#60;img width="3999" height="2999" width_o="3999" height_o="2999" data-src="https://freight.cargo.site/t/original/i/1ebbb2e94d048b0e01cc510d775c65d91a53f666a4a49c2a42674f03621ee7bf/fullsizeoutput_ab9.jpeg" data-mid="59772139" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/1ebbb2e94d048b0e01cc510d775c65d91a53f666a4a49c2a42674f03621ee7bf/fullsizeoutput_ab9.jpeg" /&#62;
&#60;img width="1310" height="916" width_o="1310" height_o="916" data-src="https://freight.cargo.site/t/original/i/9fc394ff89272c64306d70245f6c5770136662c9442e650ca507fdec4133d9cb/Screen-Shot-2017-01-26-at-14.33.57.png" data-mid="72064044" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/9fc394ff89272c64306d70245f6c5770136662c9442e650ca507fdec4133d9cb/Screen-Shot-2017-01-26-at-14.33.57.png" /&#62;
&#60;img width="1334" height="894" width_o="1334" height_o="894" data-src="https://freight.cargo.site/t/original/i/d66358def67abfe8972d5eb54066da7f627352b0be0fd5a4994c74cb1ba7904e/Screen-Shot-2017-01-26-at-14.33.45.png" data-mid="72064117" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/d66358def67abfe8972d5eb54066da7f627352b0be0fd5a4994c74cb1ba7904e/Screen-Shot-2017-01-26-at-14.33.45.png" /&#62;
&#60;img width="1176" height="830" width_o="1176" height_o="830" data-src="https://freight.cargo.site/t/original/i/ef60a45b4bda4213921b7818e49f0f7953213c2b9a413d5e2b5331296e7f5cd9/Screen-Shot-2017-01-26-at-14.12.27.png" data-mid="72064033" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/ef60a45b4bda4213921b7818e49f0f7953213c2b9a413d5e2b5331296e7f5cd9/Screen-Shot-2017-01-26-at-14.12.27.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Global Generation: Sustainability Report</title>
				
		<link>https://lizzieconnor.co.uk/Global-Generation-Sustainability-Report</link>

		<pubDate>Wed, 29 Jan 2020 17:14:33 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/Global-Generation-Sustainability-Report</guid>

		<description>
	&#60;img width="906" height="1282" width_o="906" height_o="1282" data-src="https://freight.cargo.site/t/original/i/2869638f4067944925ac89fd2ead37f090d796b137c1de8fefa90e29590d237a/Screen-Shot-2020-01-29-at-23.10.58.png" data-mid="59774083" border="0"  src="https://freight.cargo.site/w/906/i/2869638f4067944925ac89fd2ead37f090d796b137c1de8fefa90e29590d237a/Screen-Shot-2020-01-29-at-23.10.58.png" /&#62;

	Global Generation:&#38;nbsp;Sustainability Report&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Design Management, UAL
(2019)

Design Management at London College of Communication (UAL) is the study of design, problem-solving, business and leadership, global cultures, innovation and sustainability. A large part of this course is applying design thinking to live briefs and working in collaborative, multidisciplinary teams.&#38;nbsp;


This sustainability report researched into the urban environment in the King’s Cross area - specifically looking at the charity Global Generation and their Skip Garden site.&#38;nbsp;

Global Generation Case Study (PDF)

</description>
		
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	<item>
		<title>When the Horn Blows: Music Reviews</title>
				
		<link>https://lizzieconnor.co.uk/When-the-Horn-Blows-Music-Reviews</link>

		<pubDate>Tue, 26 Nov 2019 22:41:09 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/When-the-Horn-Blows-Music-Reviews</guid>

		<description>
	
 &#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/89b1b7255017ec3aeed98d5e43366c0304532ca124b781009273314798634930/DSC02066.jpg" data-mid="59772321" border="0"  src="https://freight.cargo.site/w/1000/i/89b1b7255017ec3aeed98d5e43366c0304532ca124b781009273314798634930/DSC02066.jpg" /&#62;

	Music Reviews&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
When the Horn Blows(2019-present)

When the Horn Blows is a music website that delivers journalism with a focus on live gig reviews, interviews and album and single reviews.&#38;nbsp;

Role:
I have currently written three pieces for their online platform - two live reviews and one album review.


	LIVE REVIEW: TAMINO - SCALA, LONDON 04/12/2019
December 8, 2019

&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/37c58129075e53b43a6a490741e395391b18fa4e7128c3e4167967749d5571d7/DSC02212.jpg" data-mid="59772237" border="0"  src="https://freight.cargo.site/w/1000/i/37c58129075e53b43a6a490741e395391b18fa4e7128c3e4167967749d5571d7/DSC02212.jpg" /&#62;
&#60;img width="2500" height="1592" width_o="2500" height_o="1592" data-src="https://freight.cargo.site/t/original/i/7257d58a78df9787102977906ee6db40d449d612acc13c2bc1833eb8a326d101/DSC02059.jpg" data-mid="59772320" border="0"  src="https://freight.cargo.site/w/1000/i/7257d58a78df9787102977906ee6db40d449d612acc13c2bc1833eb8a326d101/DSC02059.jpg" /&#62;
&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/89b1b7255017ec3aeed98d5e43366c0304532ca124b781009273314798634930/DSC02066.jpg" data-mid="59772321" border="0"  src="https://freight.cargo.site/w/1000/i/89b1b7255017ec3aeed98d5e43366c0304532ca124b781009273314798634930/DSC02066.jpg" /&#62;
Words by Lizzie Connor
Photography by Hattie Stewart-Darling

On the When the Horn Blows website


	Majestic. Melancholic. Atmospheric. Tamino, the Belgium-Egyptian artist, sold out the famous Scala venue in London’s King Cross. An impressive feat for a recent newcomer who has also supported Lana Del Ray and collaborated with Radiohead’s Colin Greenwood on his single ‘Indigo Night’. Merging Arabic and Western sounds, Tamino orchestrated a beautiful soundscape of mesmerising falsetto and grungy guitar interlaced with delicate and sometimes synthy piano.

Joined on stage by a pianist, bassist (Colin Greenwood) and drummer, Tamino also performed multiple songs solo - just his voice and his guitar. He came on stage and instantly began his set - no chit-chat or grand entrance. Dressed stylishly (as usual) but again quite understated and simple with his signature one hoop earring. His composure was generally serious, as it is when someone is focused on their craft, but he broke into a smile when turning to face the rest of the band.

Much like his stripped back performance, the set design was minimal. Red, orange and blue lights were used throughout the set to create a misty, moody atmosphere - conjuring up imagery of the colour-scapes in his music videos for ‘Indigo Night’ and ‘Sun May Shine’.

Compared to some gigs where people dance, talk and constantly head to the bar, this crowd were held captivated by Tamino’s ethereal sound. Throughout the room arty types were dotted around with lots of Tamino-esque hairstyles and chic jackets.

Tamino’s powerful vocals had the crowd transfixed from the first note. His delicate falsetto in ‘Habibi’ (‘my love’ or ‘sweetheart’ in Arabic) received an applause from the audience which broke the silence around the venue. The harmonies and piano in ‘Indigo Night’ were beautiful.

Much of the set was performed similarly to that on the album so I was caught off guard when Tamino and the band went off piste in ‘So It Goes’ and left space for instrumental experimentation. For his second to last song he covered Mac DeMarco’s ‘My Kind of Woman’ which went down well with the audience.

Tamino has been compared to Jeff Buckley with his powerful voice and ambient guitar. But it is clear that he draws on a wide range of influences - Thom Yorke, James Blake and Nick Drake are some other artists who share Tamino’s sensibility and carefully placed melodies.

Signed to the UK indie label Communion, Tamino continues his tour across Europe and America but unlike tonight he will be performing solo. Intensity and simplicity encapsulated Tamino’s performance on this wintry December evening and he will no doubt bring that same moody emotion to future shows.



	

ALBUM REVIEW: ALEXANDRA SAVIOR - 'THE ARCHER'
January 9, 2020

&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/de401d388f8f48a40001afc1c7375aca8fae435be5012dfe9a356b8211235680/unnamed-277.jpg" data-mid="59772504" border="0"  src="https://freight.cargo.site/w/600/i/de401d388f8f48a40001afc1c7375aca8fae435be5012dfe9a356b8211235680/unnamed-277.jpg" /&#62;
Words by Lizzie Connor

On the When the Horn Blows website

	

‘The Archer’ is Alexandra Savior’s second LP - a stylistic, gritty ten track tale drenched in heartbreak and underpinned by a newfound independence.

This Portland-born singer-songwriter has previously worked with Alex Turner and The Last Shadow Puppets (whom she also supported on their tour in America). With ‘The Archer’, Savior says, “I felt like I needed to establish my own voice and show my independence again”. 

‘The Archer’ opens with ‘Soft Currents’ - a romantic piano led track paired with Savior’s quintessentially delicate, whirly vocals. ‘Saving Grace’ takes a rockier turn with a plucky guitar riff and heavy bass line opening the song and Savior’s vocals sounding ever more eerie. ‘Crying All The Time’ was the first single written and released after her 2017 debut album, Belladonna of Sadness, which Savior co-wrote with Alex Turner. Written on New Year’s Eve, this brooding ballad is full of heartbreak and has a vintage noir feel. Lyrics such as ‘I know I’ll be gone soon/ But just for him, I will prevail’ and ‘He doesn’t like it when I cry/ (cry, cry, cry)/ And now he’s gone, so I’m crying all the time’ show Savior’s playful melancholic lyricism. 

The piano and ghostly backing vocals in ‘Howl’ make you feel like you are in a haunted house at a fairground. Savior sings, ‘Handsome dictator of my crimes/ I can’t tell if they’re yours/ I can’t tell if they’re mine’, unravelling her manipulative relationship. 

“I tried to project some sort of strength; I wrote during a time when I was a young woman growing into my identity and developing my confidence, and I hope that comes through”. 

The pre-singles (‘Saving Grace’, ‘Crying All The Time’, ‘Howl’, ‘The Archer’) are stand out songs on the album but the horns in ‘Send Her Back’ and ‘But You’ are a welcome addition to the album’s sound. The album concludes with the title track ‘The Archer’, ending with the lyrics ‘I licked the blood from your lips’. This harks back to the ‘sweet lips like pink lemonade’ line, that Savior referred to in ‘Can’t Help Myself’, indicting the eventual turn in her relationship. 

Savior stays true to her retro and dreamy sound first crafted in ‘Belladonna of Sadness’ but shows more creative independence in ‘The Archer’. The array of sounds used to create songs full of pensive sadness, along with the aesthetic of the pre-single music videos and artwork covers, all distinctively point to the artistry of Alexandra Savior. 

	

LIVE REVIEW: RAYOWA - COLOURS HOXTON, LONDON 
14/02/2020
January 9, 2020

&#60;img width="1935" height="1290" width_o="1935" height_o="1290" data-src="https://freight.cargo.site/t/original/i/0dc77dae3bc01c8ba809612dc278e8b1084e6cea8b84b061baef5f513c9199fd/royowa--4.jpg" data-mid="61858775" border="0"  src="https://freight.cargo.site/w/1000/i/0dc77dae3bc01c8ba809612dc278e8b1084e6cea8b84b061baef5f513c9199fd/royowa--4.jpg" /&#62;
&#60;img width="1935" height="1290" width_o="1935" height_o="1290" data-src="https://freight.cargo.site/t/original/i/62670705e3e14a369198053311ddd1a2845ba2aaad12546cf8fdf18b00fdb410/royowa--8.jpg" data-mid="61858776" border="0"  src="https://freight.cargo.site/w/1000/i/62670705e3e14a369198053311ddd1a2845ba2aaad12546cf8fdf18b00fdb410/royowa--8.jpg" /&#62;&#60;img width="1842" height="1290" width_o="1842" height_o="1290" data-src="https://freight.cargo.site/t/original/i/10f1cf8254a7ce756affcae6d3433af6262d28d08446507b6a9968b6b0f0d5e5/royowa--15.jpg" data-mid="61858778" border="0"  src="https://freight.cargo.site/w/1000/i/10f1cf8254a7ce756affcae6d3433af6262d28d08446507b6a9968b6b0f0d5e5/royowa--15.jpg" /&#62;
&#60;img width="1818" height="1290" width_o="1818" height_o="1290" data-src="https://freight.cargo.site/t/original/i/e24caab76e4b9cc5d4c672be2778440479946f6befc215b17c60e09ef9db34fa/royowa--19.jpg" data-mid="61858779" border="0"  src="https://freight.cargo.site/w/1000/i/e24caab76e4b9cc5d4c672be2778440479946f6befc215b17c60e09ef9db34fa/royowa--19.jpg" /&#62;
Words by Lizzie ConnorPhotography by Hattie Stewart-Darling

On the When the Horn Blows website
	

Hailing from Basildon in Essex, Rayowa are a newly formed band merging soul, disco, funk and pop sounds. In the run up to their sold out show at Colours Hoxton they released their second single ‘Chance’ - an uplifting track about seizing opportunities and banishing self-doubt. 

Following on from their debut gig late last year at the gold-ceiling-adorned-disco-ball-covered venue of The Moth Club in Hackney, Rayowa delivered another dance-inducing performance this Valentine’s day. 

Despite being only a three-piece band the stage was packed with eight people, including a backing singer, bassist, trumpeter, drummer and percussionist. The crowd buzzed with excitement as they launched into their set. The room was full of people who were sporting ‘Rayowa’ t-shirts and everyone was clearly ready to have a dance.

Rayowa’s sound is similar to that of Nile Rodgers and Change - disco beats with a sprinkle of guitar riffs. But far from being stuck in the 70s and 80s they have drawn on disco influences to create a contemporary sound which doesn’t disappoint. Rayowa’s sound would suit the ears of listeners of bands such as Jungle and Parcels with their falsetto vocals and rhythmic guitar groove. 

I haven’t been to a gig where the atmosphere has felt so friendly and feel-good in a long time - both from the crowd and the band themselves. Their debut single ‘Better Man’ and new single release ‘Chance’ went down a treat with the crowd and the occasional instrumental breakdown was greeted with wild applause. 

I’m really excited to hear more music from this Essex disco collective. Next time Rayowa are in town be sure to grab your flares and get ready to boogie. 


</description>
		
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	<item>
		<title>Future of Music: Trend Report</title>
				
		<link>https://lizzieconnor.co.uk/Future-of-Music-Trend-Report</link>

		<pubDate>Wed, 29 Jan 2020 23:46:23 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/Future-of-Music-Trend-Report</guid>

		<description>
	&#60;img width="862" height="1227" width_o="862" height_o="1227" data-src="https://freight.cargo.site/t/original/i/3a5dd6b2dd679fd6852dd69170577b62237aa0bf41a5a6c7b1546a3915104b33/Screen-Shot-2020-05-23-at-18.24.30.png" data-mid="72144030" border="0" data-scale="69" src="https://freight.cargo.site/w/862/i/3a5dd6b2dd679fd6852dd69170577b62237aa0bf41a5a6c7b1546a3915104b33/Screen-Shot-2020-05-23-at-18.24.30.png" /&#62;

	Future of Music: Trend Report&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
Design Management, UAL
(2019)Design Management at London College of Communication (UAL) is the study of design, problem-solving, business and leadership, global cultures, innovation and sustainability. A large part of this course is applying design thinking to live briefs and working in collaborative, multidisciplinary teams. This trend report researched into the future of music - it looked at Sofar Sounds, the winner of The Voice 2018 Ruti and Loyle Carner as case studies.&#38;nbsp;




	The Future of Music Trend Report (PDF)
</description>
		
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	<item>
		<title>Visual Essay: Brutalist Architecture</title>
				
		<link>https://lizzieconnor.co.uk/Visual-Essay-Brutalist-Architecture</link>

		<pubDate>Wed, 29 Jan 2020 17:14:47 +0000</pubDate>

		<dc:creator>Lizzie Connor</dc:creator>

		<guid isPermaLink="true">https://lizzieconnor.co.uk/Visual-Essay-Brutalist-Architecture</guid>

		<description>
	&#60;img width="1752" height="1236" width_o="1752" height_o="1236" data-src="https://freight.cargo.site/t/original/i/b6a4d6e3cce9585dffd9a032cee680d06bd60cc2c69a9fe63a449b6980db9775/A-A-Estate-.jpg" data-mid="59774711" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b6a4d6e3cce9585dffd9a032cee680d06bd60cc2c69a9fe63a449b6980db9775/A-A-Estate-.jpg" /&#62;

	Visual Essay &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;
Design Management, UAL
(2018)
Design Management at London College of Communication (UAL) is the study of design, problem-solving, business and leadership, global cultures, innovation and sustainbility. A large part of this course is applying design thinking to live briefs and working in collaborative, multidisciplinary teams.&#38;nbsp;

This visual essay was a comment on the brutalist architecture that is commonplace in London. I documented the Alexandra Road Estate in the Borough of Camden.&#38;nbsp;


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